Omnisphere 2.8.5c + CoreLibrary [WIN & macOS]

By | February 9, 2023

Omnisphere 2.8.5c + CoreLibrary [WIN & macOS]

Omnisphere 2.8.5c + CoreLibrary VST3 AU AAX STANDALONE [WIN & macOS]

Omnisphere 2.8 is the flagship synthesizer of Spectrasonics – an instrument of extraordinary power and versatility. Top Artists all over the world rely on Omnisphere as an essential source of sonic inspiration. This award-winning software brings many different types of synthesis together into one amazing-sounding instrument that will spark a lifetime of exploration.

Hardware Synth Integration

Omnisphere 2.8 is the only software synth in the world to offer a Hardware Synth Integration feature. This remarkable innovation transforms over 65 well-known hardware synthesizers into extensive hands-on controllers that unlock Omnisphere’s newly expanded synthesis capabilities. Simply put, this ground-breaking feature makes using Omnisphere feel just like using a hardware synth! By bridging the physical experience gap between software and hardware, users gain intuitive control of Omnisphere 2.8 by using the familiar layout of their supported hardware synth. Virtual instrument users can now experience the joy of the hardware synth workflow and hardware synth users can fully expand their capabilities into the vast sonic world of Omnisphere 2.8!

Greatly Enhanced Arpeggiator

  • New Humanity and Life controls!
  • New Presets Library
  • New Strumming Modifiers
  • Chord Voicings
  • Pitch Slides
  • Step Dividers
  • Capture MIDI Files!
New Hardware Sound Library

Omnisphere 2.8 includes a stunning new “Hardware Library” with over 1,600 new patches created by Eric Persing and the renowned Spectrasonics Sound Development team. Each hardware profile has a corresponding set of sounds in the Hardware Library which were specially designed using that hardware synth as an Omnisphere 2.8 controller. These inspiring new sounds feature a wide range of categories and many have a distinctly ‘classic’ flavor! Notably, the 2.6 update takes Eric’s classic sound design work from the original 1987 Roland D-50 into completely new sonic territory with Omnisphere’s vast synthesis capabilities. Best of all, the new sounds are available for ALL users, regardless of using the hardware or not!

Vastly Expanded Synthesis Engine

  • Four Layers per patch!
  • New State Variable Filters
  • Over 500 DSP Wavetables
  • Powerful Granular Synthesis
  • 8 LFOs, 12 ENVs, 34 Filter Types per part
  • Doubled Mod Matrix
  • Full FX Modulation

Audio Import

You can use your own audio file as a soundsource in Omnisphere, simply by dragging it onto the interface! Go wild with using the new Granular Synthesis, Harmonia, Innerspace and many other creative tools inside Omnisphere!

High Resolution Interface

Omnisphere supports a newly redesigned, high resolution interface with support for HiDPI displays. The modernized GUI is now easier to use and resizable to fit comfortably into your workspace.

Includes over 14,000 sounds!

Since the beginning, Omnisphere has been the sonic weapon of choice for creative players and producers in search of next level sounds on hit records, bestselling games and Oscar-winning films. Omnisphere’s amazing sound library is constantly growing and being pushed in fresh directions by the award-winning Spectrasonics Sound Development Team.

Omnisphere 2.8 Features

  1. Now includes over 14,000 inspiring sounds for all types of music production
  2. Ground-breaking Hardware Synth Integration allows hands-on control of Omnisphere
  3. Audio Import – Use your own audio file as a soundsource
  4. State of the Art Arpeggiator with many unique features
  5. Over 500 DSP Waveforms for the Synth Oscillator
  6. Sound Match™ feature instantly locates any related sounds in the library
  7. Hardware Library with distinct ‘classic analog’ flavor
  8. Powerful Granular Synthesis for amazing transformations
  9. 58 incredible FX Units, which are fully integrated and can be modulated
  10. Creative “Psychoacoustic” sounds from the renowned Spectrasonics sound design team
  11. Sound Lock™ feature gives endless useful variations by locking sound aspects while browsing
  12. Wavetable Synthesis – Each waveform is a Morphing Wavetable
  13. ORB circular motion interface allows infinitely-shifting variations
  14. Deeper FM/Ring Modulation capabilities for aggressive timbres
  15. Dual Filter architecture includes more than 34 Filter algorithms in series or parallel
  16. Performance-oriented Live Mode allows for seamless patch layering on the fly
  17. Flex-Mod™ modulation system allows powerful, modular-style matrix routing
  18. Stack Mode interface allows for complex patch-layering, splits, and crossfades
  19. Up to 20 oscillators per patch can be either DSP synth or sample-based
  20. High Resolution resizable Interface with “Zooming” into deeper synthesis levels
  21. Polyphonic Timbre Shifting/Crushing, Waveshaping and Reduction
  22. Eight full-featured LFOs per patch, with syncing and complex waveforms
  23. Twelve Envelopes with both simple ADSR-style or advanced multi-breakpoint interfaces
  24. Easy Sound/Project Sharing for collaborators and third-party libraries
  25. Sample-based soundsources can be processed with synthesis features
  26. Standalone app with Flow Capture™ recording feature
  27. …and much, much more!

Omnisphere Software version 2.8.5c

  • Adds “Any” MIDI channel routing option to the MIDI Channel menus on the MIXER page. When “Any” is selected, MIDI Channels 1-16 are sent to the Part (aka MIDI “Omni Mode”).
  • Fixes issue where the plugin output could become muted after loading multiple DAW projects in a row. This fix was added specifically for Cantabile (a Windows-only Host), but the error is likely reproducible in other Hosts.
  • Fixes note playback timing issues when Solo mode or the Arpeggiator were enabled and the host buffer size was large.
  • Fixes issue where the “Modulate with Orb” option in the right-click contextual menu did not work.
  • Fixes issue where the Patch dirty indicator (asterisk) could incorrectly disappear after using the UNDO command.
  • Seismic Pump effect: Improves TRIGGER button behavior when MODE = “Triv. Inv” and LOOP is Off.
  • Seismic Pump effect: Fixes issue with “Triv. Inv” mode where the envelopes were retriggered by incoming MIDI note events.
  • Mac only: Fixes issue on macOS where folders/files in STEAM could not contain a backslash character
  • Standalone app: Fixes issue where the Flow Capture feature did not record Metronome Tempo changes into the MIDI file correctly.

System Requirements

  • 2.4 GHz or higher processor
  • 8GB of RAM or more recommended
  • 84 GB of free hard drive space

Windows Users:

  • Microsoft Windows 7 or higher
  • VST 2.4 or higher
  • 64-bit host

Mac Users:

  • OS X 10.11 El Capitan or higher
  • AU, VST 2.4 or higher
  • 64-bit host

Download Links

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